The Disney and Charter Deal: A ‘Canary in a Coal Mine’

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‘Backup plans upon backup plans’

With the channel blackout between Charter and Disney taking place from Aug. 31 to Sept. 11, millions of consumers were stuck without access to major sporting events, including the U.S. Open and college football. Meanwhile, marketers were left wondering what would happen to their ads.

“Every client that had anything related to that blackout was asking the question of, ‘Well, what happens with that? What’s the backup plan?’” a media buyer told Adweek, speaking on the condition of anonymity.

Further complicating the situation for advertisers, sports were thought to be a safeguard during the ongoing Hollywood strikes. But with blackouts threatening NFL games, marketers were resorting to “backup plans upon backup plans,” the buyer said. And, though there are always alternative ways into the market, considering things like YouTube TV’s sports offerings or even The CW adding ACC games, it seems those backup plans will be more important than ever moving forward.

“At a macro level, if you look at how big shifts in any sort of marketplace or consumer goods happen, this may have been less the thing that changed it forever and more like the real canary in the coal mine that indicates that there could be bigger changes coming,” according to the buyer.

Familiar change

But even with changes on the horizon, such as traditional cable bundles going away or new mix-and-match possibilities between streaming and linear, the TV landscape might look more familiar than previously thought.

For instance, Philip Inghelbrecht, CEO of Tatari, told Adweek that, whether Disney and Charter made a deal or not, carriage disputes are here to stay.

“Fast forward three, five years—in my opinion—we’re going to be in the exact same situation as we are today in terms of carriage deals,” Inghelbrecht said. “Instead of carriage fees for cable, it’s going to be streaming. Because when all these deals come up for renewal, all the networks need that money.”

Verna calls the future of the industry “a bit of a whack-a-mole game,” with more and more carriage disputes undoubtedly popping up. And though this deal didn’t change the TV landscape, it’s a prelude to the ones that will, with the analyst noting that change happens “slowly and then all at once.”

“It’s like a Jenga game where it looks solid, you pull some blocks off the top and that thing is still standing,” Verna said. “But at some point, one of the support blocks comes off, and the whole thing tumbles.”

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